Twilight of a Crane belongs to
the modern Japanese dramatic tradition. It is a play adapted from a Japanese
folk-tale by Kinoshita Junji and translated into English by Taskeshi Kurahashi.
It is about a woman who is really a crane becomes the wife of a mortal man in
gratitude and love for saving her life. The story is woven around two major characters:
Tsu and Yohyo, the husband and wife. There are two villainous characters namely
Sodo and Unzu. There are children who play as cameo characters to highlight the
theme of the play.
At the beginning of the play the
Yohyo is introduced as a humble villager who loves his beloved wife immensely and
enjoys his simple life playing with children. Tsu, the transformed character
into a human form is introduced as a beloved, responsible wife who brings
happiness and prosperity to Yohyo’s life. They live a contented life in
association with children who symbolically represent innocence.
Their simple life turns into
twilight due to the two vulgar friends of Yohyo namely Sodo and Unzu. They come
to know about the valuable clothe woven by Tsu which gives the bread and wine
to their family. This special clothe is called by the villagers as Senba-ori
which means it comes from the heaven. The two money minded friends identify the
high commercial value of it and intend to exploit this opportunity to flourish
themselves.
They decide to entice Yohyo
towards earning profits by selling the Senba-Ori and lead a life of luxury.
They intended to give only a little portion of the real price of the clothe.
After hearing this, Tsu thoroughly protests this knowing what money can do to
their simple lifestyle. She takes efforts to protect her husband from the bad
influence of his friends.
She explains that weaving more
clothes would affect her health reducing her body weight. Yohyo who is blinded
by the unseen sparkle of money, becomes furious and threatens to leave her. He
further insults her calling her a cross woman. Tsu becomes worried and tells
her husband not to be so unkind to her. However, she decided to weave two more
clothes to satisfy him. During the process, Yohyo breaks his promise of looking
at her in her real form of the crane. Therefore, she fails to stay further in
human form as well as she has only few feathers to fly back to the nature. She
insists him keep one clothe as a token of her love. Ignorant Yohyo dreams a new
life in Tokyo with her not knowing that he had broken her heart and lost her
forever. The play ends with a tragic mood of Tsu leaving her heart broken
husband.
Download the pdf worksheet of the play here.
10 Comments
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