Literary terms are common to most of the literary genres. However, there are some special literary terms unique to drama and theatre plays. Followings are some of the most frequently used literary terms ordered according to alphabet. Hope you find it useful.
Act: A major unit of a drama or play.
Modern dramas generally have one, two, or three acts. Older dramas typically
have five acts. Acts may be divided into one or more scenes.
Aside: in a play, a comment that a
character makes to the audience that other characters onstage do not hear. The
speaker turns to one side or away from the action on stage. Asides, which are
rare in modern drama, reveal what a character is thinking or feeling.
Character: A person, an animal or a presence
in a literary work. Character may be major or minor depending on their
importance to the work. Characters can be described as flat or round. A flat
character reveals only one personality trait, whereas a round character show
varied and sometimes contradictory traits. Characters can also be classified as
static or dynamic. A static character remains the same throughout the story. A
dynamic character changes.
Characterization: The methods an author uses to
develop the personality of a character. With direct characterization, the
author makes direct statements about a character’s personality, simply stating
that a character is. Indirect characterization requires that the reader draw
their own conclusions about a character based on the act.
Climax: The point of greatest interest or
emotional intensity in a literary work. Also called the turning point, the
climax usually comes near the end of a story or drama.
Dramatic
Structure: The way
information is presented in a play. Common elements in dramatic structure are
exposition, or revelation of important background information; rising action,
which adds complications to the plot; climax, the moment of greatest emotional
intensity or suspense; falling actin, which unravels the complications; and resolution,
which resolves them or brings the to a close.
Farce: A type of comedy with stereotyped
characters in ridiculous situations. Anton Chekhov often wrote farces.
Flashback: An interruption in the
chronological order of a narrative to relate a scene from an earlier time. An
author may use this device to give the reader background information or to
create tension or contrast.
Foreshadowing: The use of clues by the author to
prepare readers for events that will happen later in a story. Foreshadowing
helps build suspense and draws the reader into the plot.
Hero: The chief character in a literary
work, typically one whose qualities or deeds arouse admiration. Although the
word hero is applied only to males in traditional usage, heroine being the term
used for females.
Irony: A contrast or discrepancy between
expectation and reality, or between what is expected and what actually happens.
Dramatic irony occurs when the audience knows something that a character does
not know.
Juxtaposition: The placement of two or more
distinct things side by side in order to contrast or compare them.
Monologue: A long speech or written expression
of thoughts by a character in a literary work.
Plot: The sequence of events in a
narrative work. Most plots develop around a conflict, a struggle between
opposing forces. Exposition introduces the story’s characters, setting and
conflict. Rising action develops the conflict with complications. The climax is
the emotional high point of the story. Falling action shows what happens after
the climax. The resolution shows how the conflict is solved.
Soliloquy: In drama, a long speech by a
character who is alone on the stage. A soliloquy reveals the private thought
and emotions of that character.
Stage
directions: Notes in
the text of a play that describe the appearance and movements of the
characters, as well as the sets, costumes and lighting. Stage directions serve
primarily as instructions for the cast and crew of a theatrical production, but
they also help readers imagine the action of the play.
Stock
character: A
Character who represents a type that is recognizable as belonging to a
particular genre. For example, cruel stepmothers or charming princes are often
found in fairy tales. Valiant knights and heroes are found in legends and
myths.
Surprise
ending: An
unexpected plot twist at the end of a story. The ending might surprise readers
because the author provides ambiguous clues or withholds important information.
A surprise ending is most effective when it adds to the meaning of a story
rather than merely overturns reader’s expectation.
Theater
of the Absurd: Drama
that does not tell a story but instead presents a series of scenes in which the
characters, confused and anxious, seem to exist in meaningless world. The
movement, spearheaded by Samuel Beckett, flourished in the 1950s and 1960s.
Tragedy: A play in which the main character,
or tragic hero, is brought to ruin or suffers a great sorrow as a result of a
fatal character flaw, errors in judgement or forces beyond human control, such
as fate. Traditionally, the tragic hero is a person of high rank who out of an
exaggerated sense of power and pride, violates a human, natural, or divine law.
By breaking the law, the hero poses a threat to society and causes the
suffering or death of family members, friends, and associates. In the last act
of a traditional Greek tragedy, these wrongs are set right when the tragic hero
is punished or dies and order is restored. According to the Greek philosopher
Aristotle, the purpose of tragedy is to arouse pity and fear in the audience as
the tragic hero’s terrible fate unfolds.
Trickster
figures: Characters
that represent that part of human nature that wants to break rules and cause
trouble. Tricksters try to outwit people, animals and even gods. Although they
are generally self-centered, we may admire them for their cunning and ability
to overcome obstacles Trickster figures are most commonly depicted in animal
form. Almost every folklore tradition has its own trickster figures.
There are
more terms related to drama and theatre. Can you share them in our comment
section. Please share the post if you find it useful to a dramatist you know.
Source: R1, Literary Terms Handbook,
Glencoe’s World Literature.
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